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Post to Facebook Post to Twitter Subscribe me. ALL DC. Offset X,Y - Specifies the horizontal and vertical offsets in pixels of the timecode within the output frame.

Media File - Reads Timecode from the source media. If the source media is not detected, timecode overlay starts at zero and matches the source's frame rate. Generate Timecode — Generates custom timecode for the overlay. Target Duration - Duration of the exported video after effect is applied. Duration Change - Amount the output duration differs from the source duration. In Preset Use — Determines how duration is adjusted when preset is applied to other sources:.

Enable this option to have Time Tuner ignore any series of still images longer than 10 seconds. Video Limiter constrains the luminance and color values of source video so they fall within safe broadcasting limits. See Automatic Loudness Correction for more information.

Video settings vary based on the export Format you have chosen. Each format has unique requirements that determine what settings are available. For more information, see Supported file formats. Some capture cards and plug-in software provide their own dialog boxes with specific options. If the options you see are different from the options described here, see the documentation for your capture card or plug in. For general information about compression settings, see Compression tips.

When set to Match Source, Adobe Media Encoder automatically sets this value to match the field order of the source. For more information, see Interlaced versus non-interlaced video. When exporting video files in H. Selecting a Match Source preset automatically activates the appropriate options in the Video settings tab in the Export Settings dialog. Match Source presets are useful when you want to pass a few video attributes from the source, and select specific values for the other attributes.

You can save the Match Source setting as a new preset and apply them to any source in the Queue or Watch Folder panels. For example, say, you have a Watch Folder containing assets with varying frame sizes and frame rates. You want to convert all the assets in the Watch Folder to a single format at 24 fps. To do so, create a preset with source-matching enabled for all properties except Frame Rate , which is set to 24 fps.

To adjust width and height independently of each other, toggle off the link button. Video Dimensions - Some formats like H. The Video Dimensions menu displays supported frame sizes for these formats. Frame Rate - Frames shown per second during video playback. For more information, see Frame Rate. Field Order - Specifies whether the exported file has progressive frames or frames made up of interlaced fields.

Aspect — The pixel aspect ratio of the video. Pixel aspect ratio PAR describes the ratio of width to height of a single video pixel.

When Match Source is enabled, the standard is calculated based on properties of the source. Performance - H. Generally speaking, higher-level settings support larger video resolutions. High Dynamic Range - Exports with High Dynamic Range, which retains detail in brighter whites and deeper blacks at higher bit depths. The previous version of Media Encoder supported PQ but omitted metadata. These are user-entered values; no content analysis is performed. The purpose of this metadata is to provide the HDR playback device with details about your content so that it can be displayed properly and look its best.

Bitrate is the amount of data in a video or audio signal measured in bits per second. Generally speaking, higher bitrates produce better quality video and audio, while lower bitrates create media that is easier to play back over slow Internet connections. For more information, see Bitrate. When comparing CBR and VBR encoding for a given media file, you can make the following generalizations: A CBR file can play back more reliably over a wider range of systems because a fixed data rate is less demanding on media players and computer processors.

However, a VBR file tends to have a higher image quality because VBR tailors the amount of compression to the image content. Target Bitrate [Mbps] - Sets the overall bitrate for the encoded file.

Video is measured in megabits per second [Mbps] while audio is measured in kilobits per second [kbps]. Adaptive bitrate presets — There are three adaptive bitrate presets available in the H.

These presets can help reduce file size and speed-up export times by considering the resolution and frame rate of source media when calculating the overall bitrate. For example, the same adaptive preset would use a lower bitrate when applied to SD media but a higher bitrate when applied to HD or 4-K media.

Key Frame Distance - Enable this option to specify how often keyframes aka I-frames are inserted in your exported video. In general, a lower keyframe value results in a higher-quality video but may increase file size. When disabled, Media Encoder chooses the appropriate keyframe distance based on the export format and frame rate. For more information, see Key Frames. Optimize Stills - Enable this option to render still images in your sequence as a single frame instead of a series of repeated frames, which helps reduce the file size of exported video.

Optimized still frames are shown for the correct duration on supported players. If the exported video file exhibits playback problems when displaying the still images, deselect this option and re-export the file. Using VR export settings, you can export degree footage the same way as regular footage. VR allows you to edit in equirectangular and dual spherical formats.

The footage is monoscopic and stereoscopic. Exporting equirectangular video is like exporting any other type of video, with a few caveats. For more information, see Working with immersive VR video. Check that the Video is VR check box and edit its options. You can export degree footage the same way as regular footage. Audio settings are found in the Audio tab of the Export Settings dialog. Settings vary based on the export format you have chosen.

Audio Codec - Specifies the audio compression codec. Some audio formats support only uncompressed audio, which has the highest quality but uses more disk space. Some formats provide only one codec while others allow you to choose from a list of multiple codecs. Sample Rate — Frequency at which audio is converted into discrete digital values, measured in Hertz Hz.

Audio recorded at higher sample rates produces better quality but requires larger file sizes. For best results, you should export audio at the same sample rate it was recorded with. Exporting at a higher sample rate does not improve quality and requires resampling which can increase export times. For more information, see Compression tips. Channels - Specifies the number of audio channels included in the exported file. If you choose fewer channels than are in the master track of your sequence or media file, Adobe Media Encoder down-mixes the audio.

Common channel settings include Mono one channel , Stereo two channels and 5. Down mixing only works for specific channelization combinations, such as 5.

It does not work for N-Channel to stereo or mono. The QuickTime format includes Audio Channel Configuration options that let you control how source channels are routed to output channels in the exported file. This option lets you save time and streamline your rendering by exporting multiple audio output configurations in the same QuickTime file, including stereo and 5. Audio recorded at higher sample sizes typically results in better quality sound but requires larger file sizes.

The Bitrate [kbps] is the output bit rate of the audio. Generally, higher bit rates increase both quality and file size. Formats like H. When Multiplexing is set to None, video and audio streams are exported as separate files. Closed captions are typically used to display the audio portion of a video as text on televisions and other devices that support the display of closed captions.

See the Exporting Closed Caption data section for detailed information. You can use the Publish tab to upload files to different social media platforms. You can choose from the list of system presets available on Adobe Media Encoder. For more information, see Publish settings in Adobe Media Encoder. This option helps preserve details and avoid aliasing when scaling to a frame size different from your source media.

Enabling this option can improve quality but keep the following in mind:. When this option is enabled, Adobe Media Encoder exports using the preview files already generated for your Premiere sequence instead of rendering new media.

For more information, see this Premiere Pro help article: Work with preview files. When this option is enabled, Adobe Media Encoder exports using the proxy files already generated for your sequence instead of rendering new media. This option can improve export performance. The checkbox will default to unchecked. This option can be used for sources that contain an alpha channel. When enabled, only the alpha channel gets rendered in the output video and a grayscale preview of the alpha channel is shown in the Output tab.

This setting is useful when exporting to formats like MXF that don't support transparency info. You can use the alpha channel-only output to define transparent areas of your video in third-party applications. Time Interpolation comes into play when the frame rate of your exported media is different from your source media. For example, if your source sequence is at 30 fps but you want to export it at 60 fps. Time Interpolation generates or removes frames by the following methods:.

Metadata is a set of descriptive information about a media file. Metadata can include information like creation date, file format, and timeline markers. To open the Metadata Export dialog, click the Metadata button in the lower-right corner of the Export Settings dialog. You can perform many of the same actions in the Metadata category in the Preferences dialog box. See Preferences. For more information about working with metadata in Premiere, see Managing Metadata.

An export template specifies what XMP metadata get written to the output file. For example, you can create an export template that includes various XMP metadata from the source files and adding your contact information and rights-management information to each output file. The export template filters out any fields that are not explicitly enabled by the current template. The only exceptions are internal properties that are automatically populated with data by the creator application, which are always included and are not editable.

To create your own export template, click New next to the Export Template menu. You can enable individual fields or categories by selecting them in the Export Template Editor dialog box. To find specific fields, use the search field near the top of the Export Template Editor dialog box. Be sure to give your export template a descriptive name. You can edit an existing custom export template by choosing it from the Export Template menu and clicking Edit.

After you have applied an export template, you can also manually enter values to add specific XMP metadata to the current encoding queue items. For example, the Format field in the Dublin Core schema and the Video Frame Rate field in the Dynamic Media schema are set by Adobe Media Encoder to accurately describe the output file, and these fields are not user-editable. Also, values that are specified by the current export template appear as not editable; to change these values, change the template or apply a different template.

Empty fields are not written to the output file. Legal Notices Online Privacy Policy. Export settings reference for Media Encoder Search. To open the Export Settings dialog in Adobe Media Encoder, select the output of a source video in the Queue panel and do one of the following: Select Export Settings from the context menu of the output.

Click the format or preset name of the output. Export Settings dialog. Source view. Crop settings. To crop a video, do the following:. Do one of the following: Drag the sides or corner handles of the crop box. Enter values for Left, Top, Right, Bottom, in pixels. To revert to an uncropped image, click the Crop button again to disable it.

Output view. The Output tab shows a preview of current export settings applied to your source video. Timeline and time display. You can set In and Out points in the following ways: Move the playhead to a frame on the timeline and click the Set In Point or Set Out Point buttons above the timeline. Drag the In point or Out point icons from the sides of the timeline to a frame on the timeline. Move the playhead to a frame on the timeline and use the I key to set an In point and the O key to set an Out point.

The Source Range menu lets you quickly set the duration of your exported video with the following options: Entire Sequence — Uses the entire duration of the source clip or sequence. Export Settings. Effects settings. Switch to the Output tab to see a preview of these effects applied on the project. To apply a Lumetri preset, do one of the following: Choose a Lumetri preset from the Applied pop-up menu. Choose Select